The ability to work with others requires all parties in the group to be able to communicate with each other following a number of key principles, these are;
respect for each others views and understanding.
being concise in the discussions that are being had.
Health and safety play an ever-increasing influence on what we can do in work/production settings. The legislation has been created in cases on the back of accidents that have occurred as a result of poor or no policy being in place. It is designed in its very nature to protect all individuals, no matter how much others may find it a barrier to creativity and practices they may have been able to do before.
Within the video production sector there are a number of legislations that are principles to everyday operation, these are;
Health and safety at work Act 1974 >> Link
The health and safety Executive has produced an information document that can be used to support those in the Audio-Visual sector >> Link
settings, e.g. white balance, aperture, shutter speed
framing, e.g. close-up, long shot, medium shot, medium-long shot, medium close-up
movement, e.g. pan, track, tilt, zoom, hand-held
stabilisation.
microphone use
levels and audio management
types of sound, e.g. ambient sound, wild track, interviews, presenter’s descriptions, studio sound, music.
Colour temperature - The colour temperature can be measured in lighting using the Kelvin scale. This range starts around 2700 (Warm) and moves up to 5300 (Cool) in most cases this range can be found in typical lightbulbs, both LED and filament. The use of this colour range can create impressions of light at potentially different times of the day. The balancing of this colouring in video production can impact other colours in the scenes, washing out colours with excessive whites in the cool range to not enough. Within video production the scale for suggested use is 3200K or "Tungsten" to 5600k or "Daylight"
Temperature | Source |
---|---|
1,700 K | Match flame, low-pressure sodium lamps (LPS/SOX) |
1,850 K | Candle flame, sunset/sunrise |
2,400 K | Standard Incandescent lamps |
2,550 K | Soft White Incandescent lamps |
2,700 K | “Soft White” compact fluorescent and LED lamps |
3,000 K | Warm White Compact fluorescent and LED lamps |
3,200 K | Studio lamps, photofloods, etc. |
3,350 K | Studio “CP” light |
4,100–4,150 K | Moonlight |
5,000 K | Horizon daylight |
5,000 K | Tubular fluorescent lamps or cool white/daylight compact fluorescent lamps (CFL) |
5,500–6,000 K | Vertical daylight, electronic flash |
6,200 K | Xenon short-arc lamp |
6,500 K | Daylight, Overcast |
6,500–9,500 K | LCD or CRT screen |
15,000–27,000 K | Clear blue poleward sky |
Table sourced from: Color Temperature: What is it and Why is it Important? (cined.com)
Three Point
The use of lighting in video production is standard practice. The process of illumination of a scene allows for a focal point to be illuminated in the sequence being recorded, however, some of this lighting is used to counteract shadows created naturally by some natural or implemented lighting.
The three-point lighting set-up requires 3 separate lighting sources, each of these lights will play individual roles in lighting objects and talents.
The first light that is used is the "Key Light" the role of this light is to provide most of the light towards the object in focus and is best at an angle of 45- degrees
The "Fill Light" is a softer light than the "Key Light" and is like the key light best at an angle in this case of 30- degrees from the object in focus, however, this light is used to lighten the effect of shade produced by the "Key Light"
The "Back Light" is used to elevate the object in focus away from the background as the use of the "Key" and "Fill" lights can make the subject look flat against the background.
Some great discussion and interactive content can be found on the BBC's Bitesize site. Visit using the link below and discuss where this may have been used in other productions
BBC Bytesize
Reflector
Lighting reflectors are often seen used out in the field as these are inexpensive and portable ways to add additional light to a person or object by simply reflecting light from the sun or ambient light using a silver reflective flexible panel
Links to Learning Outcomes |
Links to Assessment criteria |
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C1 Video production |
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Anonymous Assessment - Learners assess an anonymous piece of work containing deliberate mistakes against given success criteria.